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X-WR-CALNAME:Cape Town Baroque Orchestra
X-ORIGINAL-URL:https://ctbaroque.co.za
X-WR-CALDESC:Events for Cape Town Baroque Orchestra
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TZID:Africa/Johannesburg
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DTSTART:20180101T000000
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BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20191020T180000
DTEND;TZID=Africa/Johannesburg:20191020T200000
DTSTAMP:20260407T041654
CREATED:20190929T092046Z
LAST-MODIFIED:20190929T103815Z
UID:2054-1571594400-1571601600@ctbaroque.co.za
SUMMARY:The Misshapen Pearls - A Baroque Story
DESCRIPTION:Camerata Tinta Barocca\, in collaboration with Friends of Orchestral Music and Bowmans\, present The Misshapen Pearls\, a concert exploring the true spirit of the Baroque. The term ‘barocco’\, originally used by 17th century jewellers to describe a misshapen pearl\, was used from the mid-eighteenth century\, when a simpler style of music became popular\, to refer the imperfection\, bizarreness and grotesqueness of music from the Baroque. This programme will focus on the stark contrasts found in Baroque music\, leaning on the idea of chiaroscuro (light-dark)\, as well as exploring the improvisational aspect of music from this period\, which was intrinsically part of the aesthetic. \nThe programme includes music by Castello\, Bertali\, Telemann\, Couperin\, Biber and Hotteterre\, with Vivaldi’s outrageous set of ‘La Folia’ variations as the centrepiece. \nWith Ralitza Macheva and Refiloe Olifant (baroque violins)\, and Erik Dippenaar (harpsichord) \nDate: Sunday\, 20 October 2019\nTime: 18:00\nVenue: Bowmans’ Cape Town Office\, 22 Bree Street \nTickets: R400 / R350 FOM members. Ticket sales via Quicket – click here to purchase tickets.\nEnquiries: To Louise Howlett via email – singingladylouise@gmail.com
URL:https://ctbaroque.co.za/event/the-misshapen-pearls-a-baroque-story/
LOCATION:Bowmans’ Cape Town Office\, 22 Bree Street
ATTACH;FMTTYPE=image/jpeg:https://ctbaroque.co.za/wp-content/uploads/2019/09/baroque-poster-fb.jpg
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BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20191026T160000
DTEND;TZID=Africa/Johannesburg:20191026T173000
DTSTAMP:20260407T041654
CREATED:20190626T103047Z
LAST-MODIFIED:20191008T085805Z
UID:1794-1572105600-1572111000@ctbaroque.co.za
SUMMARY:Kunstgeiger und Bierfiedler (Art violinists and Beer fiddlers) -  a duo recital with Antoinette Lohmann (baroque violin\, clog violin) and Jörn Boysen (harpsichord\, baroque guitar\, zither\, jewish harp)
DESCRIPTION:As a part of the Camerata Tinta Barocca concert series\, international baroque musicians Antoinette Lohmann (baroque violin\, clog violin)\, and Jörn Boysen (harpsichord\, baroque guitar\, zither\, jewish harp) present a duo recital of solo violin literature from the seventeenth century for baroque violin and Dutch clog violin\, juxtaposing folk and art music from the early baroque. \nAntoinette Lohmann (Amsterdam\, 1969) is no stranger to South African audiences – she came to South Africa in 2008 for the first time to teach a masterclass baroque violin\, and this marked the beginning of her regular visits to this country to support the development of its emerging historical performance movement. She has been working together with South-Africa’s leading specialists in historical performance such as John Coulter\, Erik Dippenaar\, Hans Huyssen and Gerhard Benade. She has performed with Camerata Tinta Baroca and Cape Consort (Cape Town)\, Baroque 2000 (Durban). Furthermore she has been teaching masterclasses at the Universities of Cape Town\, Bloemfontein\, Potchefstroom and Pretoria. She is also an Honorary Patron of Camerata Tinta Barocca. She is currently teaching principal study historical violin and viola at the Amsterdam and the Utrecht Conservatory of Music and is also the principal teacher of the Historical Performance Department in Utrecht\, where she also teaches historical documentation. \nJörn Boysen (Lübeck\, 1976) is a harpsichordist\, conductor and composer. After his studies at the Musikhochschule Lübeck he went to the Netherlands where he studied with Tini Mathot and Ton Koopman at the Royal Conservatory in The Hague. He regularly performs in Germany\, the Netherlands\, France and at prominent European music festivals as guest conductor\, soloist or continuo player.  As composer\, Boysen has had works commissioned and performed by Musica Poetica (NL)\, De Nederlandse Bachverniging\, Baroque Chamber Orchestra of Colorado (USA)\, soloists of Pratum Integrum (RU) and of the Berlin Philharmonics (D) and the Residentie Orchestra in The Hague (NL)\, amongst others. Apart from his work as a performer and composer\, Boysen teaches at the Utrecht Conservatory. Furthermore\, he is the founder and director of Musica Poetica (NL) and artistic director of the concert organisation Musica Antica da Camera in The Hague. \nDate: Saturday\, 26 October 2019\nTime: 16:00\nVenue: St. Andrew’s Presbyterian Church\, Strand Street\, Cape Town \nTickets: R150. Cash at the door.\nEnquiries: Email info@ctbaroque.co.za \nProgramme details:\nHieronymus Kradenthaller (1637-1700)\nSuite from Musikalische Recreation (Regensburg 1672) \nAnonymous \nSonata 13 from the collection of prince Bisschop Carl Liechtenstein – Castelcorn (1624-1695)\, Kromeriz \nJohann Christoph Petz (1664-1716)\nSonata for violin and continuo from the family archive of Martinelli \nAnonymous\nSonata 16 from the collection of prince Bisschop Carl Liechtenstein – Castelcorn (1624-1695) \n Johann Fischer\nSuite – Difference between violinists and Fiedler (1706)\nAir\, Gigue\, Air\, Menuet\, Menuet\, Air \nBiagio Marini (Brescia\, 1594 – Venice 1663)\nLa Orlandina\, Symfonia per un violino ò cornetto e basso se piace from Affetti Musicali\, opera prima\, Venice 1617 \nJohann Erasmus Kindermann (Nuremberg 1616 – Nuremberg 1655)\nSonata Prima from Canzoni. Sonatae\, una\, duabus\, tribus\, & quator violis\, Pars Posterior (Nuremberg 1653) \nJohann (Marianus) Baal (Karlstadt 1657 – Münsterschwarzach 1701)\nSonata for violin and continuo from Opus Primum (1677) \nIgnazio Albertini ( Milan ? 1644? – Vienna 1685)\nSonata VII from XII sonata a Violino Solo \nJohann Jakob Walther (Witterda 1650 – Mainz 1717)\nPreludio – Aria – Corrente – Sarabande – Giga – Finale from Hortulus Chelicus\, Mainz\, 1688 \nJohann Heinrich Schmelzer (ca 1620 – 1680)\nBalletti duplices. Balletto 1. di Zingari\, aria 2 Ciaconna detta bella Zingara
URL:https://ctbaroque.co.za/event/kunstgeiger-und-bierfiedler-a-duo-recital-with-antoinette-lohmann-baroque-violin-clog-violin-and-jorn-boysen-harpsichord-baroque-guitar-zither-jewish-harp/
LOCATION:St. Andrew’s Presbyterian Church\, De Waterkant
ATTACH;FMTTYPE=image/jpeg:https://ctbaroque.co.za/wp-content/uploads/2019/06/Antoinette-en-Joern3.jpg
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