Kunstgeiger und Bierfiedler (Art violinists and Beer fiddlers) – a duo recital with Antoinette Lohmann (baroque violin, clog violin) and Jörn Boysen (harpsichord, baroque guitar, zither, jewish harp)

As a part of the Camerata Tinta Barocca concert series, international baroque musicians Antoinette Lohmann (baroque violin, clog violin), and Jörn Boysen (harpsichord, baroque guitar, zither, jewish harp) present a duo recital of solo violin literature from the seventeenth century for baroque violin and Dutch clog violin, juxtaposing folk and art music from the early baroque.

Antoinette Lohmann (Amsterdam, 1969) is no stranger to South African audiences – she came to South Africa in 2008 for the first time to teach a masterclass baroque violin, and this marked the beginning of her regular visits to this country to support the development of its emerging historical performance movement. She has been working together with South-Africa’s leading specialists in historical performance such as John Coulter, Erik Dippenaar, Hans Huyssen and Gerhard Benade. She has performed with Camerata Tinta Baroca and Cape Consort (Cape Town), Baroque 2000 (Durban). Furthermore she has been teaching masterclasses at the Universities of Cape Town, Bloemfontein, Potchefstroom and Pretoria. She is also an Honorary Patron of Camerata Tinta Barocca. She is currently teaching principal study historical violin and viola at the Amsterdam and the Utrecht Conservatory of Music and is also the principal teacher of the Historical Performance Department in Utrecht, where she also teaches historical documentation.

Jörn Boysen (Lübeck, 1976) is a harpsichordist, conductor and composer. After his studies at the Musikhochschule Lübeck he went to the Netherlands where he studied with Tini Mathot and Ton Koopman at the Royal Conservatory in The Hague. He regularly performs in Germany, the Netherlands, France and at prominent European music festivals as guest conductor, soloist or continuo player.  As composer, Boysen has had works commissioned and performed by Musica Poetica (NL), De Nederlandse Bachverniging, Baroque Chamber Orchestra of Colorado (USA), soloists of Pratum Integrum (RU) and of the Berlin Philharmonics (D) and the Residentie Orchestra in The Hague (NL), amongst others. Apart from his work as a performer and composer, Boysen teaches at the Utrecht Conservatory. Furthermore, he is the founder and director of Musica Poetica (NL) and artistic director of the concert organisation Musica Antica da Camera in The Hague.

Date: Saturday, 26 October 2019
Time: 16:00
Venue: St. Andrew’s Presbyterian Church, Strand Street, Cape Town

Tickets: R150. Cash at the door.
Enquiries: Email info@ctbaroque.co.za

Programme details:
Hieronymus Kradenthaller (1637-1700)
Suite from Musikalische Recreation (Regensburg 1672)

Anonymous
Sonata 13 from the collection of prince Bisschop Carl Liechtenstein – Castelcorn (1624-1695), Kromeriz

Johann Christoph Petz (1664-1716)
Sonata for violin and continuo from the family archive of Martinelli

Anonymous
Sonata 16 from the collection of prince Bisschop Carl Liechtenstein – Castelcorn (1624-1695)

 Johann Fischer
Suite – Difference between violinists and Fiedler (1706)
Air, Gigue, Air, Menuet, Menuet, Air

Biagio Marini (Brescia, 1594 – Venice 1663)
La Orlandina, Symfonia per un violino ò cornetto e basso se piace from Affetti Musicali, opera prima, Venice 1617

Johann Erasmus Kindermann (Nuremberg 1616 – Nuremberg 1655)
Sonata Prima from Canzoni. Sonatae, una, duabus, tribus, & quator violis, Pars Posterior (Nuremberg 1653)

Johann (Marianus) Baal (Karlstadt 1657 – Münsterschwarzach 1701)
Sonata for violin and continuo from Opus Primum (1677)

Ignazio Albertini ( Milan ? 1644? – Vienna 1685)
Sonata VII from XII sonata a Violino Solo

Johann Jakob Walther (Witterda 1650 – Mainz 1717)
Preludio – Aria – Corrente – Sarabande – Giga – Finale from Hortulus Chelicus, Mainz, 1688

Johann Heinrich Schmelzer (ca 1620 – 1680)
Balletti duplices. Balletto 1. di Zingari, aria 2 Ciaconna detta bella Zingara