MULTIMEDIA

From the Handel Operas – Episode 1

George Frideric Handel (1685–1759)
Ouverture from Rodelinda (1725)
Solo baroque violins: Annien Shaw and Refiloe Olifant

From the Handel Operas – Episode 2

George Frideric Handel (1685–1759)
Sussurrate, onde vezzose from Amadigi di Gaula (1715)
Christopher Ainslie (countertenor)

From the Handel Operas – Episode 3

George Frideric Handel (1685–1759)
Io t’abbraccio from Rodelinda (1725)
Stefanie True (soprano), Christopher Ainslie (countertenor)

From the Handel Operas – Episode 4

George Frideric Handel (1685–1759)
Lascia ch’io pianga from Rinaldo (1711)
Stefanie True (soprano)

From the Handel Operas – Episode 5

George Frideric Handel (1685–1759)
Caro! Bella! Più amabile beltà from Giulio Cesare (1724)
Stefanie True (soprano), Christopher Ainslie (countertenor)

At home with the Cape Town Baroque Orchestra – Episode 4

Johann Sebastian Bach (1685–1750), Wer nur den lieben Gott lässt walten, BWV 691
Erik Dippenaar (organ)

At home with the Cape Town Baroque Orchestra – Episode 3

Johann Sebastian Bach (1685–1750), Sonata in G major, BWV1021
Refiloe Olifant (baroque violin), Erik Dippenaar (spinet)

At home with the Cape Town Baroque Orchestra – Episode 2

George Frideric Handel (1685–1759), Sonata in D minor, HWV367a
Joshua Frank (recorder), Erik Dippenaar (spinet)

At home with the Cape Town Baroque Orchestra – Episode 1

Gottfried Heinrich Stölzel (1690–1749), Bist du bei Mir, BWV508
Lynelle Kenned (soprano), Erik Dippenaar (organ)

The Anthem Project

Refiloe Olifant (baroque violin) and Erik Dippenaar (harpsichord) perform Erik’s arrangement of the South African national anthem, Nkosi Sikelel’ iAfrika, in a Baroque style as part of the Anthem Project: Click here to read more about the Anthem Project

The Cape Town Baroque Orchestra Live in Concert With Anna Fusek (recorder)

Performance during the 2019 Woordfees in the Endler Hall, Stellenbosch.
Antonio Vivaldi (1678 – 1741) – Recorder concerto in C-major, RV443

The Cape Town Baroque Orchestra Live in Concert With Philipp Mathmann (sopranist)

Performance during the 2019 Woordfees in the Endler Hall, Stellenbosch.
Nicola Porpora (1686 – 1768) – Alto Giove

The Cape Town Baroque Orchestra live on the Expresso breakfast show – 14 January 2020

Georg Philipp Telemann (1681 – 1767) – Trio sonata in A-minor, TWV 42: a4: Allegro
Joshua Frank (recorder), Refiloe Olifant (baroque violin), Erik Dippenaar (harpsichord)

 

Johann Pachelbel (1653 – 1706) – Canon in D-major
Bettina von Dombois, Refiloe Olifant, Ralitza Macheva (baroque violins), Erik Dippenaar (harpsichord)

 

Marco Uccellini (ca. 1603 – 1680) – Bergamasca
Bettina von Dombois, Ralitza Macheva (baroque violins), Erik Dippenaar (harpsichord)

 

Interview with CTB’s Artistic Director, Erik Dippenaar

 

Feature on kykNET Ouverture

Handel – Arrival of the Queen of Sheba (Solomon)
Soloists: Annien Shaw (baroque violin), Bridget Rennie-Salonen (traverso)

 
William Hayes (1708 – 1777) – Harpsichord concerto in G-major
Soloist: Erik Dippenaar (harpsichord)

 
For this project:
Baroque violin 1: Annien Shaw (concert master), Odile Burden, Petra Hofmeyr, Nicole D’Oliveira. Baroque violin 2: Ralitza Macheva, Valentina Vorster, Jan-Hendrik Harley. Baroque viola: Emile de Roubaix, Lynn Rudolph. Baroque cello: Cheryl de Havilland. Baroque double bass: Henrike Kovats. Theorbo: Uwe Grosser. Traverso: Bridget Rennie-Salonen. Harpsichord/Director: Erik Dippenaar.

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Designed by Roann Louw

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