Views Navigation

Event Views Navigation

Today

The Four Nations – Cape Town Baroque Orchestra with Matthias Maute (recorder/traverso)

South African Sendinggestigmuseum 40 Long Street, Cape Town, South Africa

Antonio Vivaldi's cycle of descriptive violin concertos, “The Four Seasons”, counts among the most famous music ever devised. However, another cycle of four recorder concertos with descriptive titles by the same composer has remained in (relative) obscurity, namely: Concerto La Francia (France) Concerto La Spagna (Spain) Concerto L'Inghilterro (England) Concerto Il Gran Mogol (India) The [...]

R220

Angels and Shepherds: A German Baroque Christmas

St. Andrew’s Presbyterian Church De Waterkant

The Cape Town Baroque Orchestra in collaboration with the Lutesong Consort will present a concert of festive Christmas music by German Baroque composers for 8 solo voices and chamber orchestra. The contrast between the immense significance of the Incarnation and its humble pastoral setting has always been a rich source of inspiration for artists and [...]

R180 – R200

Narratives (Cape Town Baroque Trio at Klein Karoo Klassique)

Oudtshoorn Civic Centre / Burgersentrum Vrede Street, Oudtshoorn

The Cape Town Baroque Trio explores various methods of instrumental narration from the baroque era. The baroque practices of affect, rhetoric, allegory and symbolism are demonstrated in the programme, where seasoned baroque instrumentalists Annien Shaw (baroque violin), Ralitza Macheva (baroque violin) and Rosamund Ender (viola da gamba) perform works by Corelli, Biber, Telemann, and Vivaldi. [...]

R150 – R160

2024 Cape Town Baroque Festival (CTBF)

Various venues across Cape Town

2024 Cape Town Baroque Festival REVELATIONS! The annual Cape Town Baroque Festival, presented by the Cape Town Baroque Orchestra, will take place from 21 to 24 September 2024. The programming of the 2024 Cape Town Baroque Festival – titled Revelations! – revolves around the idea of concealing and revealing, which permeates the individual programmes on [...]

R100 – R250

Event 1: Variations

UCT Irma Stern Museum 21 Cecil Road, Rosebank, Western Cape, South Africa

A popular genre during the baroque period was so-called ‘sets of variations’ or ‘divisions’: Composers often composed variations and embellishments on songs, folk melodies or hymns. Members of the Cape Town Baroque Orchestra, Ralitza Macheva (baroque violin), Erik Dippenaar (harpsichord) and Lynelle Kenned (soprano) present a programme of expressive sets of variations from the baroque, [...]

R100 – R250

Event 2: Les Arts Florissants

St. Andrew’s Presbyterian Church De Waterkant

Lutesong Consort presents a concert performance of the French allegorical mini-opera Les arts florissants by Marc-Antoine Charpentier (1643–1704). In this hòmage to Louis XIV (self-styled arts patron, warlord and ultimate monarch), 'the arts' are the characters: 'La Musique' (Music), 'La Poèsie' (Poetry), 'La Peinture' (Painting) and 'L'Architecture' (Architecture) resolve a dispute between 'La Paix' (Peace) and 'La Discord' [...]

R100 – R250

Event 3: Venice, Vivaldi and the Ospedale della Pietà

South African Sendinggestigmuseum 40 Long Street, Cape Town, South Africa

The Ospedale della Pietà was an orphanage-convent in Venice that was one of four so-called “Ospedali Grandi” (charitable hospices, which provided a wide range of services for the needy of Venice). In these institutions, music played an important part in the education of the inhabitants (all girls in the case of the Ospedale della Pietà). By the 18th century, [...]

R100 – R250

Narratives (Cape Town Baroque Trio at Woordfees)

Oudtshoorn Civic Centre / Burgersentrum Vrede Street, Oudtshoorn

The Cape Town Baroque Trio explores various methods of instrumental narration from the baroque era. The baroque practices of affect, rhetoric, allegory and symbolism are demonstrated in the programme, where seasoned baroque instrumentalists Annien Shaw (baroque violin), Ralitza Macheva (baroque violin) and Rosamund Ender (viola da gamba) perform works by Corelli, Biber, Telemann, and Vivaldi. [...]

R175 – R240

Handel’s ‘Messiah’ – Cape Town

St. Andrew’s Presbyterian Church De Waterkant

After the first performances of Messiah in Dublin in 1742, Handel performed the oratorio several times more during his lifetime. For each of these performances, he adjusted the work according to the singers and instrumentalists available to him - a common practice during the baroque period.  Following the Cape Town Baroque Orchestra’s (CTBO) reconstruction of the first [...]

R100 – R290

Handel’s ‘Messiah’ – Hermanus

Dutch Reformed Church, Hermanus Church st, Hermanus

After the first performances of Messiah in Dublin in 1742, Handel performed the oratorio several times more during his lifetime. For each of these performances, he adjusted the work according to the singers and instrumentalists available to him - a common practice during the baroque period. Following the Cape Town Baroque Orchestra’s (CTBO) reconstruction of the [...]

R100 – R220